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Chrismatory, Anglo-Saxon and Carolingian, c. 800 and late 9th CenturyRepoussé copper-alloy sheets, gilded, with silver, on an oak core -
The Virgin and Child, Germany (Lower Rhine or Westphalia), c. 1050-80Wood (probably limewood)
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Cross foot, probably north-west German, c. 1100Copper, with traces of gilding
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The Virgin or one of the Maries at the Sepulchre, probably Northern French, Mosan, or Rhenish, third quarter of the 12th centuryLimewood, with poplar restorations and traces of paint
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Reliquary triptych of the True Cross, Mosan (probably Liège or Maastricht), c. 1160-70Gilded copper, champleve enamel and email brun, rock crystal, wood core.
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Reliquary châsse with saints and angels, French (Limoges), c. 1205-15Champlevé enamel on copper, engraved and gilded, with applied gilt-copper and enamelled figures, rock crystal and glass gems
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Mounted falconer aquamanile, North German (Lower Saxony, Hildesheim), c. 1220-40Copper alloy (probably bronze)
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Triptych with scenes from the Death and Assumption of the Virgin, French (Paris), c. 1310-20Elephant ivory, painted and gilded
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Six leaves from a tabernacle polyptych with scenes from the Nativity and the Childhood of Christ, German (Rhenish or Bavarian), c. 1320-40Elephant ivory, painted and gilded
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The Virgin Annunciate, French (Île-de-France), probably c.1360-70Marble
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A bishop saint (possibly Thomas Becket), English (Nottingham), probably late 14th centuryAlabaster
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Reliquary triptych with the Annunciation, Saint Ansanus and plaques of the Adoration of the Magi and the Crucifixion, painted by Bartolo di Fredi (c. 1330-1410), Tuscan (Siena) and French (Ivory plaques), c. 1370 (triptych), c.1350-70 (ivory plaques)Tempera on panel with gilded and polychromed ivory
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Miniature devotional tabernacle, probably north Netherlandish, c. 1510-30Boxwood
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Plate with the story of the Sword of Damocles, signed and dated by Francesco Xanto Avelli (c.1486-c.1542), 1535Tin-glazed earthenware, painted with lustre
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Horn with Saint Hubert and hunting and biblical scenes, by Léonard Limosin (c. 1505-1575/77), French (Limoges), 1538Enamel painted on copper, with silver fittings, mounted on cow's horn
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Descent from the Cross, by Jean Penicaud I or II (1515-1588) after a print by Marcantonio Raimondi, second half of the 16th centuryLimoges enamel plaque
